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新生代言情小说家苏木子因出版了一系列爱情小说而闻名，某时尚界的评选活动又将她评为新世纪的情爱专家。刚刚获选的苏木子就被记者爆料三年多没有谈过恋爱的事实。迫于书商和出版社的压力，苏木子不得不迅速谈一场恋爱来挽救她的事业，苏木子的两个死党文馨和裴霏为此请来了情场杀手李尔东来征服苏木子。 新媳妇文馨竭尽全力地维持着和丈夫陈家奇的二人世界，婚后的枯燥生活和婆婆的不愉快，家庭主妇的隐患等一系列的问题使她筋疲力尽...... 私企人力部门主管裴霏和男朋友艾然维持着长达五年的异地恋，裴霏在物欲横流的都市里感到孤单和寂寞，她投入到另一个男人的怀抱，直到有一天，艾然来了......当现实生活冲击理想恋情，当无处安放的爱成为负担，一场围绕当代男女婚恋观的斗争悄悄拉开帷幕......。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。