罗君儿
视频简介
1940年,日占伪满洲国哈尔滨城。深受日本人信任的哈尔滨最大客栈女掌柜漂亮寡妇赵紫兰,错将共产党从延安派遣到哈尔滨执行接应抗联任务的干将林卓英,误认成死去五年的丈夫。为了完成使命,林卓英将错就错,冒充赵紫兰男人,留守客栈。他成功应对各路试探,安全潜伏,恪守纪律底线同时用大义逐步感化赵紫兰。二人将失散的抗日武装齐聚客栈,一支全新的抗日小分队成立。他们劫粮仓救济百姓和狡猾的日军司令村上斗智斗勇。村上布下惊天陷阱,在万难之中,他们却最终发现日军暗中进行的足以颠覆战争的冰血计划。冰血计划事关新型重金属能源,为摧毁冰血计划,抗联众人牺牲,赵家客栈成为众矢之的。林卓英用生命保护了赵紫兰。赵紫兰继承林卓英的遗志,敌人不亡,战斗不止。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。