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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。妻管严又爱财如命的老爸，爱面子又脾气火爆的老妈，万人迷和贼人精的弟弟，娇气包和麻烦鬼的妹妹，然后是这个人善人欺又可爱的老大克里斯。 唷呼，咱们的小黑人在这个秋天终于归来。 这部取材于Chris Rock（两度艾美奖获得者）的童年生活，讲述着80年代在Brooklyn黑人区他的家庭的趣事，而本片也由Chris Rock担任旁白。 黑人口音本来就够有意思了，加上编剧异常搞笑的台词，来回于现实与狂想，幼时与成年之间，着实让人忍俊不禁。 上着离家两小时车程的白人学校，倍受比自己还矮的小胖子欺负，爱恋着喜欢自己弟弟的女孩，只有一个和自己一样饱受欺负的朋友。这样的小黑人，还能天天给自己找乐子打打游戏机，偶尔偷偷听听老爸的黄段子搞笑CD。 日子就在这样不咸不淡搞笑又抓狂的嘀哒声中走过，你笑，你闹，你能装点深沉玩思想者。本剧也用种种笑料隐射着美国社会那种族歧视，贫富...。The biggest porn star of the 1970s must reclaim his mojo in the '80s by saving all male kind, fighting his way to the heart of a conspiracy to sell meat pumped full of estrogen to emasculate men.。