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青木由里是一名艺术学校的美术生，因为姐姐结婚而不得不离开原来的住所搬到公寓独自居住。初来乍到的由里听从母亲的建议带着礼物拜访公寓每一位新邻居，对住在楼上的奥优高司印象深刻。后来由里来到林业部门实习发现，原来自己要跟随的教授竟然就是住在自己楼上的高司。在和高司研究松树发光的课题期间，由里渐渐喜欢上了这个沉默寡言的男生。因为将送给姐姐的礼物遗忘在老居所，由里又认识了新搬来的住户建筑师君太暑子。受到暑子欣然微笑的椅子的启发，还设计出了自己即将参赛的让两个人更亲近的椅子。由里本以为这两段美好的友谊是新生活的开始，然而一块剪掉的窗帘让她意外知道了原来高司和暑子曾是一对恋人，而自己现在的住所正是暑子以前住过的地方。就这样由里陷入了一段纠结的三角关系中……。《饿虎狂龙》的故事发生在20年代的上海，当时日本人正在逐步实施蚕食中国的阴谋并派遣一个号称“富士山饿虎”的高手（仓田保昭）来到中国上海进行破坏活动，陈星扮演一个外号叫“华北狂龙”的侦缉队长之类的角色，在片中带领得力助手（黄元申）与日本间谍展开连场厮杀……。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。