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抗战时期的上海，进步女青年韩疏影被婶婶陷害，被迫嫁给苏北大亨谢炳炎做妾室。在爱国教师厉文轩的感召下，韩疏影决定逃婚，投身救国行列。然而，由于她与谢家大少爷谢天赐的同学关系，她的逃婚计划被谢家大小姐谢若雪发现。飞扬跋扈的谢若雪不仅向父亲告发，还将韩疏影的“逃婚”歪曲为“私奔”，妄图置韩疏影这个“后妈”于死地。正当韩疏影命悬一线之际，谢炳炎因不愿出卖祖国被日本人枪杀。目睹这一切的韩疏影被谢炳炎的爱国气节深深感动，毅然选择留在谢家，以谢夫人的名义保全了谢家老小。在厉文轩的帮助下，韩疏影带着谢若雪逃到上海，并用实际行动感动了谢若雪。在金戈铁马的时代背景下，韩疏影和谢若雪这两个女人不仅以“母女”的身份相依为命，更以“姐妹”的身份演绎了一段抗战救国的传奇。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。